The entire crux of the movie is the surprise on seeing a new Manirathnam man. The Maniratnam man is usually a highly virtuous, likeable, principled and forceful personality. People like Baradwaj Rangan exagerrate that all Maniratnam men are neither black nor white but superbly grey. I don't necessarily agree. From a perception point of view, they are always likeable. They are the people's man. And the law cant be a basis for grey if your men are always likeable. This movie was different because the hero came off as genuinely unlikeable. I simply loved that subtlety. The heroine came off as a confused person and very unlike Maniratnam's girls who are usually independent, decisive and never abused. Here she is the opposite. Which was also interesting even if a little bit anachronistic. I wish the suffering of his journey was brough out better. He looked as smug and as much of a jerk as a POW as he looked in his airforce base. It was hard to believe he had changed his attitude by the end of the movie.
Overall this is not as bad as Kadal or Ravanan (his worst) and not in the class of Iruvar (his best). It rests firmly as his 50th percentile movie. It is a reverse portrayal of GVM's Nee Dhaan En Pon Vasantham but much less boring. The pretentiousness of "oh! we sleep together before marriage, have babies before marriage, family drinks saarayam, we are so cool" was weighing down on me. Those show pieces of fake rebellion could've been avoided. But I am coming to terms with the new Maniratnam. One of us has changed. I don't know if its me or him. But the relationship with my boyhood adulation has changed in the last 15 years.